Serato Studio Users Will Now Get iZotope Ozone Elements 9 Free


Tuesday, October 22nd, 2019 |

Serato and iZotope have announced a new partnership that will make Serato Studio users VERY happy.

Subscribers to Serato Studio will now get iZotope’s freshly launched mastering software Ozone Elements 9 for free with their subscription.

Ozone Elements 9 normally costs $129, but with Studio it will cost nothing. Serato studio is a subscription-based service that combines the best of Serato DJ and Serato samples into a production suite with free monthly sound packs and more. Now you can produce, mix and master all in one place with some of the best plug-ins and software around.

“iZotope have almost two decades of audio mixing and mastering knowledge, so we’re excited to bring a whole new level of power and functionality for our Studio subscribers,” says Nick Maclaren, Chief Strategy Officer at Serato in a statement. “iZotope and Serato’s partnership goes way back – iZotope power all of our original FX in Serato DJ, so it’s exciting to partner up once again for our beat making software.”

Users who are already subscribed to Studio will get their free copy of Ozone Elements 9. Interested users can sign up for a free 14-day trial here. To get more information, head to their website.


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Patrick Moxey

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I feel fortunate to have been part of the first-ever WMC. Over the 35 years, it has grown to give us an international forum where we exchange music and ideas. As an attendee and host of many of the award shows, I am proud each time I see new young talent emerge and then become world-renowned. We all have so many Winter Music Conference moments of hearing a seminal breakthrough record for the first time as well as a new DJ with star quality. Magical moments in my career.


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I first went to WMC ’87, the year I started Big Beat. It was an incredibly inspiring congregation of indie labels, DJs, artists, songwriters, producers and dance music lovers dedicated to breaking and discovering new music. WMC has been instrumental in furthering the dance and electronic cause; keeping the community connected, vital and relevant, and serving as an amazing springboard for talent. It’s a fantastic crucible for the future of dance music. Long may it live.


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WMC is and has always been the lifeblood of the dance music scene. Never missed a year since ’96, I can’t imagine Amsterdam Dance Event or Ibiza Music Summit existing without the blueprint that WMC originated. Seeing this revived is absolutely essential to reunifying the North American scene surrounding electronic music and its fringes.


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