Barnes & Noble Vinyl Weekend Is Back With Exclusives & Deals


Friday, November 22nd, 2019 |

Barnes & Noble is bringing back their Vinyl Weekend this weekend. Fans will be able to get exclusive and limited edition vinyl in all Barnes & Nobles stores and on their website.

Now fans can get 10% off on all vinyl in the store or online. They will also get 30% off on all Crosley turntables and accessories. In addition, stores will offer a special 50% off the Barnes & Noble Exclusive Crosley Turntable and Speaker Bundle set.

“Over the years, Barnes & Noble stores around the country have become beloved destinations for long-time Vinyl collectors, as well as new listeners who love the experience and sound of playing music on Vinyl,” said Moyo Labode, Vice President, General Merchandise Manager of Specialty Entertainment at Barnes & Noble in a statement. “To celebrate these customers and their love for music, for three days only Barnes & Noble will take 10% off all vinyl in stores, and 30% off Crosley turntables and accessories—with the same discounts on select items online.”

To help get more customers in the door, they have a few giveaways. Those who buy two vinyl or turntables will get a free Beatles tote bag. Buy a vinyl album or turntable and we’ll treat you to a free tall hot or iced coffee (valid only at stores with Barnes & Noble Cafés).

Below are some of the limited and exclusive vinyl from the likes of Beck, Leonard Cohen and more. Everything will be on sale from November 22nd to the 24th.

  • Beck, Hyperspace, Exclusive Red Vinyl
  • Grateful Dead, Ready or Not, Exclusive Yellow Vinyl
  • Hadestown (Original Broadway Cast Recording) Exclusive Red Vinyl
  • Leonard Cohen, Thanks for the Dance, Exclusive White Vinyl
  • Ramin Djawadi, Game of Thrones: Season 8 (Music from the HBO Series), B&N Exclusive
  • Idina Menzel, Christmas: A Season of Love, Exclusive Red Vinyl
  • Mister Rogers, It’s Such a Good Feeling: The Best of Mister Rogers, Exclusive Red Sweater Vinyl
  • Sesame Street, 50 Year and Counting!, Exclusive Picture Plus 2 Extra Songs
  • Carrie Underwood’s Cry Pretty, Exclusive Picture Disc

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WMC is and has always been the lifeblood of the dance music scene. Never missed a year since ’96, I can’t imagine Amsterdam Dance Event or Ibiza Music Summit existing without the blueprint that WMC originated. Seeing this revived is absolutely essential to reunifying the North American scene surrounding electronic music and its fringes.


Tommie Sunshine

Producer/DJ/Activist/Netflix Host

I first went to WMC ’87, the year I started Big Beat. It was an incredibly inspiring congregation of indie labels, DJs, artists, songwriters, producers and dance music lovers dedicated to breaking and discovering new music. WMC has been instrumental in furthering the dance and electronic cause; keeping the community connected, vital and relevant, and serving as an amazing springboard for talent. It’s a fantastic crucible for the future of dance music. Long may it live.


Craig Kallman

CEO & Co-Chairman Atlantic Records, Founder Big Beat Records

Before there was Ultra Music Festival, there was The Winter Music Conference, the annual coming together of the dance music tribes. Miami in March is a fundamental place to be from a business perspective, and has always given me endless opportunities for discovering new partnerships and talent. WMC brings together the dance music industry and surrounding culture like no other event in America. I’ve been attending WMC for nearly 20 years, and I’m very much looking forward to experiencing its evolution in 2019.


Matt Colon

Director, North America - YM&U Music

I feel fortunate to have been part of the first-ever WMC. Over the 35 years, it has grown to give us an international forum where we exchange music and ideas. As an attendee and host of many of the award shows, I am proud each time I see new young talent emerge and then become world-renowned. We all have so many Winter Music Conference moments of hearing a seminal breakthrough record for the first time as well as a new DJ with star quality. Magical moments in my career.


Daniel Glass

Glassnote Records

Having only missed the very first year of WMC in 1985, it was 1986-1990 that initially placed me on the map globally due to the international attendance of the entire dance music community. All throughout the 90s I was often getting written about by various high profile mags and websites for having contributed to help break many artists, DJs, producers and remixers. WMC enabled me to bring many top industry people together all under one roof, especially at Groove Jet, where house music officially met Techno in my sets and it’s all been uphill since…TBC


Danny Tenaglia

DJ, Producer