77% of US Internet Users Above Age Of 13 Streaming Music


Friday, September 27th, 2019 |

If you didn’t already know that streaming was the ubiquitous form of music consumption already, there is a new study to confirm it. A new study by MusicWatch, as seen by Billboard, shows that 77% of the US population over the age of 13 streamed music in the second quarter of 2019. In total that is 183 million people.

The facts around this are staggering. This 77% consumption is a 13% increase from the same time last year. Even better for services and artists, 125 million of those who are streaming, use paid streaming subscription services. The per-stream payouts on subscription streams are higher than those from just ad-supported streams. However, only 68 million of those are personally paying, which could mean there are those using family plans or on trials. This is still a 21% increase from 56 million six months prior.

YouTube is the biggest streaming service. It has a 30% share of the 183 million, followed by Spotify at 24% and Pandora at 17%. Apple Music and Amazon Music each account for 6%.

Paid subscriptions tell an interesting story. 39% of paid streamers use Spotify Premium. Amazon and Apple account for 17% of those premium users.

Another important takeaway is how many users have smart speakers. 40% of the internet population of 13 claim to use the devices. 100 million people are expected to use them this year.

As a result in the rise of streaming, radio has taken a hit. The share of music listening used to be about equal, but now streaming accounts for 39% of listening hours and FM/AM listening is just 16%. Vinyl is still only 2%.

If your music isn’t on streaming services, you are missing out on hundreds of millions of customers who might hear your music and potentially attend a gig or buy merch.


Get the latest news and updates.


Subscribe

Testimonials

WMC is and has always been the lifeblood of the dance music scene. Never missed a year since ’96, I can’t imagine Amsterdam Dance Event or Ibiza Music Summit existing without the blueprint that WMC originated. Seeing this revived is absolutely essential to reunifying the North American scene surrounding electronic music and its fringes.


Tommie Sunshine

Producer/DJ/Activist/Netflix Host

Having only missed the very first year of WMC in 1985, it was 1986-1990 that initially placed me on the map globally due to the international attendance of the entire dance music community. All throughout the 90s I was often getting written about by various high profile mags and websites for having contributed to help break many artists, DJs, producers and remixers. WMC enabled me to bring many top industry people together all under one roof, especially at Groove Jet, where house music officially met Techno in my sets and it’s all been uphill since…TBC


Danny Tenaglia

DJ, Producer

I first went to WMC ’87, the year I started Big Beat. It was an incredibly inspiring congregation of indie labels, DJs, artists, songwriters, producers and dance music lovers dedicated to breaking and discovering new music. WMC has been instrumental in furthering the dance and electronic cause; keeping the community connected, vital and relevant, and serving as an amazing springboard for talent. It’s a fantastic crucible for the future of dance music. Long may it live.


Craig Kallman

CEO & Co-Chairman Atlantic Records, Founder Big Beat Records

Miami has always been a place I’ve considered home and WMC was essential for me and the label in many ways. From showcasing our new music to keeping up with all the new artists and releases. It was the official kickoff of the year and I’m happy to see it thriving again.


Louie Vega

DJ/Vega Records

Before there was Ultra Music Festival, there was The Winter Music Conference, the annual coming together of the dance music tribes. Miami in March is a fundamental place to be from a business perspective, and has always given me endless opportunities for discovering new partnerships and talent. WMC brings together the dance music industry and surrounding culture like no other event in America. I’ve been attending WMC for nearly 20 years, and I’m very much looking forward to experiencing its evolution in 2019.


Matt Colon

Director, North America - YM&U Music