Catch Vivian Caccuri’s ‘TabomBass’ Art Installation and Performance at WMC 2019

Friday, March 22nd, 2019 | News

Kick off Winter Music Conference (WMC) 2019 with TabomBass by artist Vivian Caccuri, a sound system that’s part sound installation and part performance — not a standard musical presentation, but a contemporary ritual. Presented by Faena Art, in collaboration with WMC, the installation will transform the Faena Forum into a contemporary temple for the exploration of sound and music from all over the world at the unique point of confluence that is Miami.

Event Details:
Tuesday, March 26
8:30 pm – 11:30 pm ET
Faena Forum in Miami Beach, FL
Free and open to the public
RSVP Here
Full Info Here

*Admission to the event is on a first come, first served basis pending on capacity limits. Limited valet parking will be available at @Faena Hotel Miami Beach.

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TONIGHT Free and open to the public. Faena Art presents ‘TabomBass’ by artist @VivianCaccuri, a sound installation and performance– not a standard musical presentation but a contemporary ritual. For the Faena Forum during Winter Music Conference, Caccuri transforms the space into a contemporary temple for the exploration of sound and music from all over the world at the unique point of confluence that is Miami. • Faena Forum 8:30 PM – 11:30 PM • With Live Performances by @silentaddy, @suzianalog, @morganfbryson, @tamahoochie, @dj.jigue, @raralakay, @yaw_p, @paperwater, among others. Dancers: @manoukadanse; Albertte Petithomme @sambigarden, and @jademccartneyy • Surprise guest: @realgyptian • @absolutelyx @virginvoyages @wintermusicconferenceinc @miamimusicweek

A post shared by Faena Art (@faenaart) on Mar 26, 2019 at 5:55am PDT

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Testimonials

WMC is and has always been the lifeblood of the dance music scene. Never missed a year since ’96, I can’t imagine Amsterdam Dance Event or Ibiza Music Summit existing without the blueprint that WMC originated. Seeing this revived is absolutely essential to reunifying the North American scene surrounding electronic music and its fringes.

Tommie Sunshine

Producer/DJ/Activist/Netflix Host

I first went to WMC ’87, the year I started Big Beat. It was an incredibly inspiring congregation of indie labels, DJs, artists, songwriters, producers and dance music lovers dedicated to breaking and discovering new music. WMC has been instrumental in furthering the dance and electronic cause; keeping the community connected, vital and relevant, and serving as an amazing springboard for talent. It’s a fantastic crucible for the future of dance music. Long may it live.

Craig Kallman

CEO & Co-Chairman Atlantic Records, Founder Big Beat Records

If you want to know about our industry from the people that make it happen then go to WMC. It’s an accelerated masterclass in all things dance music.

Carl Cox

DJ/Intec Records

Having only missed the very first year of WMC in 1985, it was 1986-1990 that initially placed me on the map globally due to the international attendance of the entire dance music community. All throughout the 90s I was often getting written about by various high profile mags and websites for having contributed to help break many artists, DJs, producers and remixers. WMC enabled me to bring many top industry people together all under one roof, especially at Groove Jet, where house music officially met Techno in my sets and it’s all been uphill since…TBC

Danny Tenaglia

DJ, Producer

Before there was Ultra Music Festival, there was The Winter Music Conference, the annual coming together of the dance music tribes. Miami in March is a fundamental place to be from a business perspective, and has always given me endless opportunities for discovering new partnerships and talent. WMC brings together the dance music industry and surrounding culture like no other event in America. I’ve been attending WMC for nearly 20 years, and I’m very much looking forward to experiencing its evolution in 2019.

Catch Vivian Caccuri’s ‘TabomBass’ Art Installation and Performance at WMC 2019

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