Crack Magazine x Aphex Twin Augmented Reality Cover


Wednesday, November 14th, 2018 |

There’s no doubt about it, digital music and streaming has brought both pleasure and pain to the music industry. Pleasure for making music more accessible and by default breathing some life back into a once dying industry. The painful aspect is because it’s caused consumers to question the value of music. Why is it that too many people are willing to pay $3 for a cup of coffee that costs practically nothing to make, a few minutes to prepare and disappears forever, but can’t be bothered to pay a buck for something that took hours/weeks/months to create, years to learn and will always be with you?

Figuring out how to add value (even if it’s just perceived) to something essentially not tangible, and readily available for free, is a problem that Augmented and Virtual Reality can help solve. Media can benefit too. The current experience for both is passive and transactional for the most part but it can be immersive—and transformational. AR has the power to revolutionize album art design, concert posters and magazines into an interactive experience. It’s happening and the result is a win win scenario for creators and labels looking to make a deeper connection with fans… who are ultimately looking to light up their senses and discover/experience something fresh, unique and new.

Crack magazine’s latest cover story with Aphex Twin is a powerful example of how physical and the digital can coexist at the same time. The Bristol based publication recently sat down with the musical visionary that is Richard D. James for a rare interview and went all in on an augmented issue. The interactive content done in collaboration with Zubr is spread across a 10 page segment featuring artwork from James’ visual collaborator, Weirdcore.

If you’re able to score a copy of the issue, the AR app can be downloaded from the App Store and the Play Store here. Read the Aphex Twin cover article here.


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Testimonials

The Winter Music Conference represents a chance for Beatport to connect directly with our customer community. Having a strong conference means we have a platform to embrace the entire spectrum of electronic music culture. We are proud to support the resurgence of this great event.


Jonas Tempel

Beatport, Co-Founder

Winter Music Conference was the cream of the crop of conferences. Every label owner, label A&R, DJ and artist knew they had to go network at the Fontainebleau where the conference was hosted. The conference was not only one of the most important time of the year as it relates to dance music but it was also a place where records were broken and became summer hits. Some of my best DJ memories are from the events I played during WMC in the last 20 years.


Erick Morillo

DJ / Producer / Label Boss - Subliminal Records

Having only missed the very first year of WMC in 1985, it was 1986-1990 that initially placed me on the map globally due to the international attendance of the entire dance music community. All throughout the 90s I was often getting written about by various high profile mags and websites for having contributed to help break many artists, DJs, producers and remixers. WMC enabled me to bring many top industry people together all under one roof, especially at Groove Jet, where house music officially met Techno in my sets and it’s all been uphill since…TBC


Danny Tenaglia

DJ, Producer

WMC is and has always been the lifeblood of the dance music scene. Never missed a year since ’96, I can’t imagine Amsterdam Dance Event or Ibiza Music Summit existing without the blueprint that WMC originated. Seeing this revived is absolutely essential to reunifying the North American scene surrounding electronic music and its fringes.


Tommie Sunshine

Producer/DJ/Activist/Netflix Host

Miami has always been a place I’ve considered home and WMC was essential for me and the label in many ways. From showcasing our new music to keeping up with all the new artists and releases. It was the official kickoff of the year and I’m happy to see it thriving again.


Louie Vega

DJ/Vega Records