Sheneza Mohammed

Label Development Manager - Ingrooves Music Group


Access 2019 Industry 2019


Sheneza Mohammed

Sheneza Mohammed is a Label Development Manager at Ingrooves Music Group. There she oversees the marketing and distribution vision for more than 50 independent labels. Currently she has artist labels for GRiZ, Bassnectar, Gramatik, Emancipator, and Sunsquabi on her roster, as well as upstarts Brooklyn Fire (Tommie Sunshine) and legendary dance labels like Om, Ovum (Josh Wink), and Wonderwheel (Nickodemus, Turntables on the Hudson)

Sheneza has been marketing dance music for over 20 years. She has worked with the top tier of electronic music talent in that time (from Moby to Daft Punk to Sasha & Digweed to Pretty Lights and more) at genre-pioneering companies like BOLD! Marketing, MCT Management, Kinetic Records and Red Light Management.

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I feel fortunate to have been part of the first-ever WMC. Over the 35 years, it has grown to give us an international forum where we exchange music and ideas. As an attendee and host of many of the award shows, I am proud each time I see new young talent emerge and then become world-renowned. We all have so many Winter Music Conference moments of hearing a seminal breakthrough record for the first time as well as a new DJ with star quality. Magical moments in my career.

Daniel Glass

Glassnote Records

The Winter Music Conference represents a chance for Beatport to connect directly with our customer community. Having a strong conference means we have a platform to embrace the entire spectrum of electronic music culture. We are proud to support the resurgence of this great event.

Jonas Tempel

Beatport, Co-Founder

I’m so glad to see WMC rebooted with such thoughtful content and first-class curation. It’s been a long time since the industry had a must-do American event and this is it. The reborn WMC!

Patrick Moxey

Ultra Music

Winter Music Conference is my ground zero. It has always provided the perfect storm of opportunity and excitement for up and coming artists, including myself back in 2003, where I first caught a glimpse of how it felt to have an audience respond to my work. Over the years, I’ve always made it a point to have WMC in my calendar because that’s the spot where everyone congregates and you can feel it in the air. Creativity, brother and sisterhood, FUN and most of all the chance to come together as a community and celebrate the reason we are all here—the music.”



Before there was Ultra Music Festival, there was The Winter Music Conference, the annual coming together of the dance music tribes. Miami in March is a fundamental place to be from a business perspective, and has always given me endless opportunities for discovering new partnerships and talent. WMC brings together the dance music industry and surrounding culture like no other event in America. I’ve been attending WMC for nearly 20 years, and I’m very much looking forward to experiencing its evolution in 2019.

Matt Colon

Director, North America - YM&U Music