Inbal Lankry

Prisma Artists

Founder


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Inbal Lankry

Inbal Lankry is the founder of Prisma Artists, an independent talent agency established in 2017, representing electronic musicians and brands worldwide with a focus on North & South America. For over a period of 15 years, Inbal has developed a solid foundation in various aspects of the music industry ranging from promotions, event production and marketing to bookings and management.

Lankry’s beginnings can be traced back to age 15 when she was promoting for legendary New York Clubs, Limelight, Tunnel and Palladium, while simultaneously helping out older brother DJ Baby Sean with his residencies at various hot spots all over the city. She later migrated to South Florida in 2003, where Inbal & her siblings opened Sonar nightclub in Hollywood, voted Best Club of 2004 and 2005 by Miami New Times. A natural progression into DJing followed, making her one of the only female DJ/promoters in Miami’s local underground house music scene at the time.

After gaining some notoriety in the South Florida scene through her club and satellite parties, she took on the role of Marketing & Booking Director for the legendary Electric Pickle in Miami 2009-2012. Inbal was instrumental in the success of making the
venue one of the most sought-after gigs in the United States for artists across the globe. During her time there, the Electric Pickle was voted one of the Best US club by Rolling Stone. Simultaneously, she also produced several events throughout Miami yearly including Get Lost, Paradise, Crew Love, etc.

In 2012 she became one of the agents on Damian Lazarus’ formed Rebel Agency that was later to join CAA. After joining CAA and working in the corporate agency world as an agent at CAA, Winidsh/Paradigm she finally branched out and found Prisma Artists, where she has been an owner and agent since April of 2017.

With a far-reaching contact base and years of experience in the industry she provides high level of service and a unique approach of touring to the following clients on the Prisma roster including (but not limited to) : &ME, Francesca Lombardo, Max Cooper, Rampa, Soul Clap, Keinemusik, Telefon Tel Aviv, Amtrac, Eclair Fifi, Project Pablo, Satori, Wolf & Lamb, Adam Port, Moscoman, Nick Monaco, Purple Disco Machine and more.

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Testimonials

Before there was Ultra Music Festival, there was The Winter Music Conference, the annual coming together of the dance music tribes. Miami in March is a fundamental place to be from a business perspective, and has always given me endless opportunities for discovering new partnerships and talent. WMC brings together the dance music industry and surrounding culture like no other event in America. I’ve been attending WMC for nearly 20 years, and I’m very much looking forward to experiencing its evolution in 2019.


Matt Colon

Director, North America - YM&U Music

If you want to know about our industry from the people that make it happen then go to WMC. It’s an accelerated masterclass in all things dance music.


Carl Cox

DJ/Intec Records

WMC is and has always been the lifeblood of the dance music scene. Never missed a year since ’96, I can’t imagine Amsterdam Dance Event or Ibiza Music Summit existing without the blueprint that WMC originated. Seeing this revived is absolutely essential to reunifying the North American scene surrounding electronic music and its fringes.


Tommie Sunshine

Producer/DJ/Activist/Netflix Host

Winter Music Conference is my ground zero. It has always provided the perfect storm of opportunity and excitement for up and coming artists, including myself back in 2003, where I first caught a glimpse of how it felt to have an audience respond to my work. Over the years, I’ve always made it a point to have WMC in my calendar because that’s the spot where everyone congregates and you can feel it in the air. Creativity, brother and sisterhood, FUN and most of all the chance to come together as a community and celebrate the reason we are all here—the music.”


Kaskade

DJ/Producer

Having only missed the very first year of WMC in 1985, it was 1986-1990 that initially placed me on the map globally due to the international attendance of the entire dance music community. All throughout the 90s I was often getting written about by various high profile mags and websites for having contributed to help break many artists, DJs, producers and remixers. WMC enabled me to bring many top industry people together all under one roof, especially at Groove Jet, where house music officially met Techno in my sets and it’s all been uphill since…TBC


Danny Tenaglia

DJ, Producer