Stacey Taylor; Founder & CEO - Taylor Global Media


Industry 2019


Stacey Taylor

With over 28 years of experience, Stacey Taylor specializes in developing and actualizing results-oriented marketing programs & global partner development strategies in addition to project, metadata, and intellectual property management for the music industry.

Adept with excellent cross-functional communication skills and an ability to effectively connect with DSP’s, music supervisors, labels and artists. Working with all forms and facets of content distribution, Taylor also understands the cultural context of music and how consumers are using digital tools to discover and engage unearthing unique methods to create an omnipresence for a label/artist resulting in a profitable, multiplatform, lifestyle entertainment brand.

Taylor honed her key strengths for strategic planning, developing and effectuating marketing plans and achieving sales goals beginning in 1991 with Warlock/Quality Records, working on such high-profile projects as Trick Daddy, The Cover Girls, Joyce Sims and the gold-certified Dance Mix USA Series.

Taylor also identified and capitalized on the ever-changing marketplace to expand revenues and profit contributions for labels such as Warlock, Pandisc, Ark 21 and Max Music in addition to Grammy winning and nominated artists such as Sting, Stanley Clarke, Ed Calle, Gretchen Parlato, and Andrew Tosh.

Working with a multitude of genres, Taylor implements successful marketing campaigns through all forms of content distribution as well as developing the company’s presence in international, special markets and non-traditional sales sectors, unearthing new streams of revenue. Taylor’s additional experience with start-up distributors, aggregators and labels started with major catalog acquisitions at Warlock Records and a plethora of labels such as Cheetah Records, Aureus Records, Fever Records, Sleeping Bag, Streetwise Records, EKG and many more. Taylor created a template infrastructure for these assets to be successfully integrated into Warlock as well as crafting a plan to solicit/exploit the intellectual properly to generate consistent, positive cash flow.

The founder of Taylor Global Media, a business affairs/project management firm as well as representing a myriad of successful labels, artists, DJ’s and content providers resulting in being one of the top digital aggregators across a large assortment of repertoire.



I feel fortunate to have been part of the first-ever WMC. Over the 35 years, it has grown to give us an international forum where we exchange music and ideas. As an attendee and host of many of the award shows, I am proud each time I see new young talent emerge and then become world-renowned. We all have so many Winter Music Conference moments of hearing a seminal breakthrough record for the first time as well as a new DJ with star quality. Magical moments in my career.

Daniel Glass

Glassnote Records

The Winter Music Conference represents a chance for Beatport to connect directly with our customer community. Having a strong conference means we have a platform to embrace the entire spectrum of electronic music culture. We are proud to support the resurgence of this great event.

Jonas Tempel

Beatport, Co-Founder

I’m so glad to see WMC rebooted with such thoughtful content and first-class curation. It’s been a long time since the industry had a must-do American event and this is it. The reborn WMC!

Patrick Moxey

Ultra Music

Miami has always been a place I’ve considered home and WMC was essential for me and the label in many ways. From showcasing our new music to keeping up with all the new artists and releases. It was the official kickoff of the year and I’m happy to see it thriving again.

Louie Vega

DJ/Vega Records

If you want to know about our industry from the people that make it happen then go to WMC. It’s an accelerated masterclass in all things dance music.

Carl Cox

DJ/Intec Records