Stacey Taylor

Founder & CEO - Taylor Global Media


Industry 2019


Stacey Taylor

With over 28 years of experience, Stacey Taylor specializes in developing and actualizing results-oriented marketing programs & global partner development strategies in addition to project, metadata, and intellectual property management for the music industry.

Adept with excellent cross-functional communication skills and an ability to effectively connect with DSP’s, music supervisors, labels and artists. Working with all forms and facets of content distribution, Taylor also understands the cultural context of music and how consumers are using digital tools to discover and engage unearthing unique methods to create an omnipresence for a label/artist resulting in a profitable, multiplatform, lifestyle entertainment brand.

Taylor honed her key strengths for strategic planning, developing and effectuating marketing plans and achieving sales goals beginning in 1991 with Warlock/Quality Records, working on such high-profile projects as Trick Daddy, The Cover Girls, Joyce Sims and the gold-certified Dance Mix USA Series.

Taylor also identified and capitalized on the ever-changing marketplace to expand revenues and profit contributions for labels such as Warlock, Pandisc, Ark 21 and Max Music in addition to Grammy winning and nominated artists such as Sting, Stanley Clarke, Ed Calle, Gretchen Parlato, and Andrew Tosh.

Working with a multitude of genres, Taylor implements successful marketing campaigns through all forms of content distribution as well as developing the company’s presence in international, special markets and non-traditional sales sectors, unearthing new streams of revenue. Taylor’s additional experience with start-up distributors, aggregators and labels started with major catalog acquisitions at Warlock Records and a plethora of labels such as Cheetah Records, Aureus Records, Fever Records, Sleeping Bag, Streetwise Records, EKG and many more. Taylor created a template infrastructure for these assets to be successfully integrated into Warlock as well as crafting a plan to solicit/exploit the intellectual properly to generate consistent, positive cash flow.

The founder of Taylor Global Media, a business affairs/project management firm as well as representing a myriad of successful labels, artists, DJ’s and content providers resulting in being one of the top digital aggregators across a large assortment of repertoire.


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I feel fortunate to have been part of the first-ever WMC. Over the 35 years, it has grown to give us an international forum where we exchange music and ideas. As an attendee and host of many of the award shows, I am proud each time I see new young talent emerge and then become world-renowned. We all have so many Winter Music Conference moments of hearing a seminal breakthrough record for the first time as well as a new DJ with star quality. Magical moments in my career.

Daniel Glass

Glassnote Records

WMC is and has always been the lifeblood of the dance music scene. Never missed a year since ’96, I can’t imagine Amsterdam Dance Event or Ibiza Music Summit existing without the blueprint that WMC originated. Seeing this revived is absolutely essential to reunifying the North American scene surrounding electronic music and its fringes.

Tommie Sunshine

Producer/DJ/Activist/Netflix Host

Winter Music Conference is my ground zero. It has always provided the perfect storm of opportunity and excitement for up and coming artists, including myself back in 2003, where I first caught a glimpse of how it felt to have an audience respond to my work. Over the years, I’ve always made it a point to have WMC in my calendar because that’s the spot where everyone congregates and you can feel it in the air. Creativity, brother and sisterhood, FUN and most of all the chance to come together as a community and celebrate the reason we are all here—the music.”



Before there was Ultra Music Festival, there was The Winter Music Conference, the annual coming together of the dance music tribes. Miami in March is a fundamental place to be from a business perspective, and has always given me endless opportunities for discovering new partnerships and talent. WMC brings together the dance music industry and surrounding culture like no other event in America. I’ve been attending WMC for nearly 20 years, and I’m very much looking forward to experiencing its evolution in 2019.

Matt Colon

Director, North America - YM&U Music

Having only missed the very first year of WMC in 1985, it was 1986-1990 that initially placed me on the map globally due to the international attendance of the entire dance music community. All throughout the 90s I was often getting written about by various high profile mags and websites for having contributed to help break many artists, DJs, producers and remixers. WMC enabled me to bring many top industry people together all under one roof, especially at Groove Jet, where house music officially met Techno in my sets and it’s all been uphill since…TBC

Danny Tenaglia

DJ, Producer