Marc AZAÏS; Director of Business Development & Foresight - Sacem


Panels

Industry

About

Marc AZAÏS

Marc has held various positions within Sacem over the last 25 years plus, and is currently in charge of keeping watch on new ways of making use of music and on new technologies allowing for a better collection and distribution of authors‘ rights. He also contributes to establishing partnerships with users’ representatives of all sectors for public performance rights’ collection. Over the last years, he has been an active member of the Sacem team dedicated to the electronic music scene and to seeking out solutions for the ongoing improvement of distributing rights to electronic music producers as fairly and precisely as feasible.
A non-profit private organization, Sacem is the French Society of Authors, Composers and Publishers of Music. Sacem has 164,840 members, including 20,012 creators from outside France (3,830 new members in 2017) and represents in France over 121 million works from the world repertoire. In 2017, Sacem distributed royalties to 300,000 authors, composers and publishers worldwide for the use of more than 2.4 million works.

Miami Music Week
SiriusXM
Heineken
Absolute Elyx
Virgin Voyages
Lyft
Akai
Denon DJ
Rane
Native Instruments
IK Multimedia
Pioneer DJ
Amped Studio
Traxsource
Russell Athletic
Beatport
Splice
Discogs
MusiCares
Jamstik
Beat Fever
Symphonic Distribution
Topo Design
Sunski
Crook & Marker
Nomatix
Rumpl
Shiftpod
The Nations
Soundcloud
Proximity
Flow Water
University of Miami
SAE Instiitue
Point Blank London
Scratch DJ Academy
IO Music Academy

Testimonials

I first went to WMC ’87, the year I started Big Beat. It was an incredibly inspiring congregation of indie labels, DJs, artists, songwriters, producers and dance music lovers dedicated to breaking and discovering new music. WMC has been instrumental in furthering the dance and electronic cause; keeping the community connected, vital and relevant, and serving as an amazing springboard for talent. It’s a fantastic crucible for the future of dance music. Long may it live.


Craig Kallman

CEO & Co-Chairman Atlantic Records, Founder Big Beat Records

“Winter Music Conference is my ground zero. It has always provided the perfect storm of opportunity and excitement for up and coming artists, including myself back in 2003, where I first caught a glimpse of how it felt to have an audience respond to my work. Over the years, I’ve always made it a point to have WMC in my calendar because that’s the spot where everyone congregates and you can feel it in the air. Creativity, brother and sisterhood, FUN and most of all the chance to come together as a community and celebrate the reason we are all here—the music.”


Kaskade

DJ/Producer

WMC is and has always been the lifeblood of the dance music scene. Never missed a year since ’96, I can’t imagine Amsterdam Dance Event or Ibiza Music Summit existing without the blueprint that WMC originated. Seeing this revived is absolutely essential to reunifying the North American scene surrounding electronic music and its fringes.


Tommie Sunshine

Producer/DJ/Activist/Netflix Host

Before there was Ultra Music Festival, there was The Winter Music Conference, the annual coming together of the dance music tribes. Miami in March is a fundamental place to be from a business perspective, and has always given me endless opportunities for discovering new partnerships and talent. WMC brings together the dance music industry and surrounding culture like no other event in America. I’ve been attending WMC for nearly 20 years, and I’m very much looking forward to experiencing its evolution in 2019.


Matt Colon

Partner/founder, Deckstar Artist Management

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