Jason Sloan

U.S. Copyright Office

Assistant General Counsel


Panels

Plus Pro

Jason Sloan

Jason Sloan is an Assistant General Counsel at the U.S. Copyright Office, where he handles a variety of matters relating to the administration of the Copyright Act. He formulates policies and develops legal positions with respect to litigation, regulations, reports, and other matters. He also provides legal guidance to divisions within the Copyright Office and advises congressional offices, the Department of Justice, and other federal agencies on copyright and related issues. Much of his work focuses on the Copyright Royalty Board and music-related subjects. Jason joined the Copyright Office in 2015 after several years in private practice in New York. He earned his J.D. from Boston College Law School, where he served on the Boston College Law Review, and has a bachelor’s degree in music and political science from Florida State University.

Get the latest news and updates.


Subscribe

Testimonials

Before there was Ultra Music Festival, there was The Winter Music Conference, the annual coming together of the dance music tribes. Miami in March is a fundamental place to be from a business perspective, and has always given me endless opportunities for discovering new partnerships and talent. WMC brings together the dance music industry and surrounding culture like no other event in America. I’ve been attending WMC for nearly 20 years, and I’m very much looking forward to experiencing its evolution in 2019.


Matt Colon

Director, North America - YM&U Music

WMC is and has always been the lifeblood of the dance music scene. Never missed a year since ’96, I can’t imagine Amsterdam Dance Event or Ibiza Music Summit existing without the blueprint that WMC originated. Seeing this revived is absolutely essential to reunifying the North American scene surrounding electronic music and its fringes.


Tommie Sunshine

Producer/DJ/Activist/Netflix Host

If you want to know about our industry from the people that make it happen then go to WMC. It’s an accelerated masterclass in all things dance music.


Carl Cox

DJ/Intec Records

I first went to WMC ’87, the year I started Big Beat. It was an incredibly inspiring congregation of indie labels, DJs, artists, songwriters, producers and dance music lovers dedicated to breaking and discovering new music. WMC has been instrumental in furthering the dance and electronic cause; keeping the community connected, vital and relevant, and serving as an amazing springboard for talent. It’s a fantastic crucible for the future of dance music. Long may it live.


Craig Kallman

CEO & Co-Chairman Atlantic Records, Founder Big Beat Records

I feel fortunate to have been part of the first-ever WMC. Over the 35 years, it has grown to give us an international forum where we exchange music and ideas. As an attendee and host of many of the award shows, I am proud each time I see new young talent emerge and then become world-renowned. We all have so many Winter Music Conference moments of hearing a seminal breakthrough record for the first time as well as a new DJ with star quality. Magical moments in my career.


Daniel Glass

Glassnote Records