Daniel Drohojowski

Executive Producer - The Endless


Industry 2019


Daniel Drohojowski

A digital and experiential producer based in New York City, Daniel's work is dedicated to creating immersive experiences by combining cutting-edge technology and powerful storytelling.

A graduate of the USC's School of Cinematic Arts, Daniel's pursuit of the new frontiers in storytelling, led him to studios like A24 and Campfire, where he crafted strategies and immersive campaigns for some of the world's most celebrated independent filmmakers (Robert Rodriguez, Harmony Korine, and Sofia Coppola) and brands alike.

As Executive Producer of The Endless, he has produced over 30+ immersive experiences across a multitude of emerging mediums spanning virtual reality, augmented reality, projection mapping, volumetric capture, and holography.

Recent projects include: 'Believe Your Eyes', the VR piece of the popular immersive theater production Sleep No More (winner of a Cannes Lion for Virtual Reality) and a Larger-than-Life hologram of Rihanna for her Savage x Fenty beauty line (the largest human hologram to date).

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If you want to know about our industry from the people that make it happen then go to WMC. It’s an accelerated masterclass in all things dance music.

Carl Cox

DJ/Intec Records

Winter Music Conference is my ground zero. It has always provided the perfect storm of opportunity and excitement for up and coming artists, including myself back in 2003, where I first caught a glimpse of how it felt to have an audience respond to my work. Over the years, I’ve always made it a point to have WMC in my calendar because that’s the spot where everyone congregates and you can feel it in the air. Creativity, brother and sisterhood, FUN and most of all the chance to come together as a community and celebrate the reason we are all here—the music.”



I feel fortunate to have been part of the first-ever WMC. Over the 35 years, it has grown to give us an international forum where we exchange music and ideas. As an attendee and host of many of the award shows, I am proud each time I see new young talent emerge and then become world-renowned. We all have so many Winter Music Conference moments of hearing a seminal breakthrough record for the first time as well as a new DJ with star quality. Magical moments in my career.

Daniel Glass

Glassnote Records

I first went to WMC ’87, the year I started Big Beat. It was an incredibly inspiring congregation of indie labels, DJs, artists, songwriters, producers and dance music lovers dedicated to breaking and discovering new music. WMC has been instrumental in furthering the dance and electronic cause; keeping the community connected, vital and relevant, and serving as an amazing springboard for talent. It’s a fantastic crucible for the future of dance music. Long may it live.

Craig Kallman

CEO & Co-Chairman Atlantic Records, Founder Big Beat Records

Having only missed the very first year of WMC in 1985, it was 1986-1990 that initially placed me on the map globally due to the international attendance of the entire dance music community. All throughout the 90s I was often getting written about by various high profile mags and websites for having contributed to help break many artists, DJs, producers and remixers. WMC enabled me to bring many top industry people together all under one roof, especially at Groove Jet, where house music officially met Techno in my sets and it’s all been uphill since…TBC

Danny Tenaglia

DJ, Producer