Ben Dorenfeld

Anomaly

Senior Music Producer


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Ben Dorenfeld

Ben Dorenfeld has worked as a music producer in advertising for six years. Currently, he oversees all aspects of music production and supervision as senior music producer for Anomaly. Prior to Anomaly, he produced and supervised music at Grey New York on campaigns for Volvo, Pantene, Ketel One, and more including Cannes award-winning work for both Volvo and Pantene.
Ben began his career in the concert touring industry at International Creative Management where he oversaw contract management, routing, and client relations for artists including Kendrick Lamar, Future, and Boyz II Men, among others. Before moving to New York, he worked as a tour accountant on Oasis’ final stadium tour in the UK and as a ticketing assistant for Bruce Springsteen in Boston.
Ben is a graduate of Skidmore College, where he served as president of the Student Entertainment Committee and program director for his college radio station, WSPN. He is an avid drummer and has enjoyed playing in bands since he was a teenager.

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Testimonials

I feel fortunate to have been part of the first-ever WMC. Over the 35 years, it has grown to give us an international forum where we exchange music and ideas. As an attendee and host of many of the award shows, I am proud each time I see new young talent emerge and then become world-renowned. We all have so many Winter Music Conference moments of hearing a seminal breakthrough record for the first time as well as a new DJ with star quality. Magical moments in my career.


Daniel Glass

Glassnote Records

The Winter Music Conference represents a chance for Beatport to connect directly with our customer community. Having a strong conference means we have a platform to embrace the entire spectrum of electronic music culture. We are proud to support the resurgence of this great event.


Jonas Tempel

Beatport, Co-Founder

Winter Music Conference was the cream of the crop of conferences. Every label owner, label A&R, DJ and artist knew they had to go network at the Fontainebleau where the conference was hosted. The conference was not only one of the most important time of the year as it relates to dance music but it was also a place where records were broken and became summer hits. Some of my best DJ memories are from the events I played during WMC in the last 20 years.


Erick Morillo

DJ / Producer / Label Boss - Subliminal Records

I first went to WMC ’87, the year I started Big Beat. It was an incredibly inspiring congregation of indie labels, DJs, artists, songwriters, producers and dance music lovers dedicated to breaking and discovering new music. WMC has been instrumental in furthering the dance and electronic cause; keeping the community connected, vital and relevant, and serving as an amazing springboard for talent. It’s a fantastic crucible for the future of dance music. Long may it live.


Craig Kallman

CEO & Co-Chairman Atlantic Records, Founder Big Beat Records

WMC is and has always been the lifeblood of the dance music scene. Never missed a year since ’96, I can’t imagine Amsterdam Dance Event or Ibiza Music Summit existing without the blueprint that WMC originated. Seeing this revived is absolutely essential to reunifying the North American scene surrounding electronic music and its fringes.


Tommie Sunshine

Producer/DJ/Activist/Netflix Host